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Assante Vancouver Centre Stars Series

Americana: Walker & Copland

November 20, 2020 7:30 PM

Andrew Crust, conductor

Measha Brueggergosman, host

George Walker: Lyric for Strings

Aaron Copland: Appalachian Spring

The first African-American to win the Pulitzer Prize for music, George Walker was a musician of tremendous energy both as a concert pianist and composer. His lovely and introspective Lyric for Strings is one of his most popular works. Copland’s Appalachian Spring is presented in its original chamber form for 13 musicians. The great Canadian soprano and media darling Measha Brueggergosman hosts.

Measha Brueggergosman, host

Motivated and hungry for new experiences, Ms. Brueggergosman’s career effortlessly embraces the broadest array of performance platforms and musical styles and genres.

Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.

On the opera stage, her recent highlights include the roles of Giulietta and Antonia in Les contes d’Hoffmann, Elettra in Idomeneo, Jenny in Weill’s Mahagonny, Emilia Marty in Janáček’s Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking. On the concert platform last season she returned to Carnegie Hall with the New World Symphony, performed Elettra in Idomeneo at Opera Atelier, Toronto, and gave a recital at the Barbican Center, London. She has also recently worked with the Orchestre de Paris, the Philadelphia Orchestra, the Los Angeles Philharmonic, San Francisco Symphony and New World Symphony. Orchestras and conductors such as Daniel Barenboim, Michael Tilson Thomas, Franz Welser-Möst, Sir Andrew Davis, Gustavo Dudamel and Daniel Harding.

Her first recording for Deutsche Grammophon, Surprise, includes works by Schoenberg, Satie and Bolcom and is one of the most highly regarded debut albums of recent years. Her subsequent disc Night and Dreams, which features songs by Mozart, Brahms, Strauss, Schubert, Debussy, Duparc and Fauré won several awards and her recording of the Wesendonck Lieder with Franz Welser-Möst and the Cleveland Orchestra earned her a Grammy nomination.

Off the stage, Measha is just as active: she recently released her memoir “Something Is Always On Fire” published by Harper Collins, she appears regularly on primetime TV (most recently advocating on behalf of contemporary Canadian literature); and leading Canadian children across the country in song, in celebration of the nationwide campaign for music education.

Measha Brueggergosman champions the education and involvement of new audiences and holds several honorary doctorates and ambassadorial titles with international charities.

Vancouver Symphony Orchestra

Founded in 1919, the Grammy and Juno-award winning Vancouver Symphony Orchestra is the third largest orchestra in Canada, the largest arts organizations in Western Canada, and one of the few orchestras in North America to have its own music school.

Led by Music Director Otto Tausk since 2018, the VSO performs more than 150 concerts each year, throughout Vancouver and the province of British Columbia, reaching over 270,000 people annually. On tour the VSO has performed in the United States, China, Korea and across Canada.

The orchestra presents passionate, high-quality performances of classical, popular and culturally diverse music, creating meaningful engagement with audiences of all ages and backgrounds.

Recent guest artists include Daniil Trifonov, Dawn Upshaw, James Ehnes, Adrianne Pieczonka, Gidon Kremer, Renée Fleming, Yefim Bronfman, Itzhak Perlman, Bernadette Peters, Tan Dun, and more.

For the 2020-21 season the VSO has created the innovative streaming service TheConcertHall.ca, a virtual home for a virtual season, where more than forty performances will be released throughout the year.

Series Performances

This is some text inside of a div block.
Bach & Beethoven with Ehnes and Tausk
This is some text inside of a div block.
Americana: Walker & Copland
More series performances to be announced.
Donate

STREAMING IN:

00
DAYS
00
HOURS
00
MIN
00
SEC
Some web browsers automatically mute video players. If you do not hear audio during the performance try adjusting the volume in the video player.

STREAMING IN:

00
DAYS
00
HOURS
00
MIN
00
SEC
Some web browsers automatically mute video players. If you do not hear audio during the performance try adjusting the volume in the video player.
Subscribe Now
Subscribe now to make sure you have access to complete performances as they are released
Subscribe Now
Subscribe now to make sure you have access to complete performances as they are released

Assante Vancouver Centre Stars Series

Americana: Walker & Copland

November 20, 2020 7:30 PM

Andrew Crust, conductor

Measha Brueggergosman, host

George Walker: Lyric for Strings

Aaron Copland: Appalachian Spring

The first African-American to win the Pulitzer Prize for music, George Walker was a musician of tremendous energy both as a concert pianist and composer. His lovely and introspective Lyric for Strings is one of his most popular works. Copland’s Appalachian Spring is presented in its original chamber form for 13 musicians. The great Canadian soprano and media darling Measha Brueggergosman hosts.

Measha Brueggergosman, host

Motivated and hungry for new experiences, Ms. Brueggergosman’s career effortlessly embraces the broadest array of performance platforms and musical styles and genres.

Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.

On the opera stage, her recent highlights include the roles of Giulietta and Antonia in Les contes d’Hoffmann, Elettra in Idomeneo, Jenny in Weill’s Mahagonny, Emilia Marty in Janáček’s Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking. On the concert platform last season she returned to Carnegie Hall with the New World Symphony, performed Elettra in Idomeneo at Opera Atelier, Toronto, and gave a recital at the Barbican Center, London. She has also recently worked with the Orchestre de Paris, the Philadelphia Orchestra, the Los Angeles Philharmonic, San Francisco Symphony and New World Symphony. Orchestras and conductors such as Daniel Barenboim, Michael Tilson Thomas, Franz Welser-Möst, Sir Andrew Davis, Gustavo Dudamel and Daniel Harding.

Her first recording for Deutsche Grammophon, Surprise, includes works by Schoenberg, Satie and Bolcom and is one of the most highly regarded debut albums of recent years. Her subsequent disc Night and Dreams, which features songs by Mozart, Brahms, Strauss, Schubert, Debussy, Duparc and Fauré won several awards and her recording of the Wesendonck Lieder with Franz Welser-Möst and the Cleveland Orchestra earned her a Grammy nomination.

Off the stage, Measha is just as active: she recently released her memoir “Something Is Always On Fire” published by Harper Collins, she appears regularly on primetime TV (most recently advocating on behalf of contemporary Canadian literature); and leading Canadian children across the country in song, in celebration of the nationwide campaign for music education.

Measha Brueggergosman champions the education and involvement of new audiences and holds several honorary doctorates and ambassadorial titles with international charities.

Vancouver Symphony Orchestra

Founded in 1919, the Grammy and Juno-award winning Vancouver Symphony Orchestra is the third largest orchestra in Canada, the largest arts organizations in Western Canada, and one of the few orchestras in North America to have its own music school.

Led by Music Director Otto Tausk since 2018, the VSO performs more than 150 concerts each year, throughout Vancouver and the province of British Columbia, reaching over 270,000 people annually. On tour the VSO has performed in the United States, China, Korea and across Canada.

The orchestra presents passionate, high-quality performances of classical, popular and culturally diverse music, creating meaningful engagement with audiences of all ages and backgrounds.

Recent guest artists include Daniil Trifonov, Dawn Upshaw, James Ehnes, Adrianne Pieczonka, Gidon Kremer, Renée Fleming, Yefim Bronfman, Itzhak Perlman, Bernadette Peters, Tan Dun, and more.

For the 2020-21 season the VSO has created the innovative streaming service TheConcertHall.ca, a virtual home for a virtual season, where more than forty performances will be released throughout the year.

Series Performances

This is some text inside of a div block.
Bach & Beethoven with Ehnes and Tausk
This is some text inside of a div block.
Americana: Walker & Copland
More series performances to be announced.
Donate